Archive for September 2009
Pierre Falardeau died of cancer this morning. He was 62. The man who brought us Elvis Gratton, the short film based on Michèle Lalonde’s poem ‘Speak White’, and the ode to les Patriotes 15 février 1839 was never at a lack for words and provoked controversy over the years, particularly with comments about David Suzuki and the role of the “ethnic vote” in Quebec politics. But he also believed in the power of popular resistance and self determination, expressing admiration for Palestinians in their struggles as well. Whichever side of the Quebec sovereignty question you stand on, Quebec lost one of it’s icons today.
Falardeau on Tout le monde en parle (Oct. 2008)
Elvis Gratton – Canadien français québécois… whatever
UPDATE: Just got this in my email. A succinct tribute to Falardeau from the Calendrier Militant:
Voici notre hommage personnel à Pierre Falardeau
Le coeur de Pierre Falardeau vient de cesser de battre.
Une voix libre, forte, dénuée de l’hypocrisie de la langue de bois que nous impose la rectitude politique et les manuels de politesse et de bienséance de la bourgeoisie vient de se taire.
Contre vents et marées, il a toujours gardé l’intégrité de ses positions, pour une nation québécoise libre, française et progressiste. …
Son oeuvre cinématographique ne doit pas occulter son travail d’écriture.
Il disait lui-même “écrire comme un pamphlétaire du XVIIIe siècle, ce qui ne se fait plus”!
Dans notre société conformiste au concensus mou qui refuse les débats tranchés, il a eu raison de renouveler le genre.
I have to be honest and say that while I have been aware for several years now of the situation facing Philipino immigrants to Canada – particularly those who come to work as migrant workers – I maintain very little knowledge of the history or current political situation in the Philippines itself.
That all changed a little when I had a chance to see a new exhibit at Sablo Kafé, On Movements in Manila, put on by Stefan Christoff (full disclosure: he’s a friend and colleague on several projects). Christoff visited the Philippines in 2007 as a journalist and election observer. The photos he took in and around the capital explore both the intense levels of poverty, but also the community organising and push-back that has developed. The exhibit is timed with a call from the Centre for Philippine Concerns in Montreal (which is co-sponsoring the exhibit) and the International Philippine Election Oberservation Team 2010 call for volunteers to help observe the upcoming 2010 presidential elections. The need for outside observers are clear. There are a large number of reports of military intimidation during the last election, which some believe will only increase this time around. Christoff wrote a two part series on the topic upon his return in 2007 as well. There are also reports of up to 1000 political killings of progressives and leftists in the country since 2001.
The exhibit runs at Sablo (50, St-Zotique East, corner Boul. St-Laurent) until the end of September, and while small is definitely worth seeing; while Christoff is more of a hobbyist photographer, the images in this exhibit are thought provoking and blend artistry while shedding light on violence, repression and movements against it.
I can also hardly mention Christoff without also reminding people that DAM, an incredible Palestinian hip hop ensemble, are coming to Montreal for the next installment of Artists Against Apratheid – the ninth if you can believe it. It’ll be going down on Sept. 28th at Café Campus (57 Prince Aurthur East). Also performing that night will be Montreal Iraqi-Canadian hiphopper the Narcicyst. To give you a little taste of what to expect, here’s Narcy’s latest video…
Vodpod videos no longer available.
Last Tuesday, I had the opportunity to hear Wade Rathke speak at Concordia University, as part of the Too Cool for School alternative orientation, and organised by the 2110 Centre for Gender Advocacy and the School of Community and Public Affairs. I’m not a student there anymore, but I’m glad I can take advantage of these kinds of events.
Rathke is the founder and former chief organiser of the Association of Community Organizations for Reform Now; he stepped down after 38 years at the helm in 2008. Like any organisation, it has had it’s fair share of ups, downs and scandals*; but it has also had some pretty major successes, including working to ensure living wages in at least 15 cities across the US, and on issues such as housing, immigrants rights, and voter registration.
I was curious to hear Rathke speak; I didn’t know much about him, except for his long tenure at ACORN, or much about ACORN, except what little I had heard during the last presidential election around their efforts to sign up voters.
He gave an interesting, wide-ranging talk on everything form the history of ACORN, to voter registration reform, to housing laws and protections, to areas where Canada is lagging behind the US in social policy (there are a few). He also highlighted that there is, in fact, ACORN Canada, which I had never heard of, and that they are campaigning for a living wage in Ottawa, which is great to hear.
I’m being intentionally vague here – I recorded the talk for CKUT 90.3FM radio, and we’ll be playing it next Wednesday from 5pm to 6pm when the Avalanche Collective hosts Off The Hour. But to give you a sneak peak, I thought I’d put up this short, 4 minute clip:
It’s a response to a question that came up a few times: how is it the right-wing seems to be more organised and mobilised around health care? And is anything being done about it? Wade was at times more positive, at times more negative, but he was clear: the left became to complacent after Obama’s election, and it needs to stand up – together – or right-wing, anti public health care forces will definitely win on this one – and who knows what else. In particular, he took called out the Neo-McCarthyism he sees in the media, and called for progressives rally together in a pushback, or be ready to loose on this.
*Those scandals have erupted recently with the posting of ‘sting’ videos allegedly showing ACORN employees in several offices providing income tax advice to a prostitute and her pimp. The two were in face undercover right-wing activists. I won’t post directly to the videos here, but Bertha Lewis, Chief Organizer with ACORN, responded to the allegations on Democracy Now yesterday. She makes it clear that while ACORN takes these issues serieously (they have fired the employees involved) there’s a lot more to this story than the media is saying. Watch her response here. Wade has also written a bit about this on his own blog.
Normally a piece like this wouldn’t make me think twice: of course, as Canadian Press reports, the Canadian government keeps a close eye on what is being written out of Afghanistan by Canadian journalists. The extent of it may seem excessive, but we already know that this government is incredibly tight when it comes to media relations.
What I wonder, though, is what they are doing with all this information once they filter it through six different government bodies? Is there some kind of Rendon-style ranking system carried out by the government? How does it impact who gets embedded, who gets leaks, who’s invited to sensitive press briefings, etc? The article notes that the Privy Office has directly approved or nixed interviews, but doesn’t go so far as to link type of coverage with access.
CP says it got its information through an Access to Information request; hopefully they’ll be digging a little bit deeper…
Since the beginning of the direct action against the HCBP, there was a clearly agreed-upon conclusion that this occupation was first and foremost to be a space of resistance. This was to ensure a “safe and healthy space” focused on the defense of the land, and to forgo all possibilities of reason for police intervention, such as substance abuse or partying. This was to define all camp activities. The point was to maintain a sense of purpose and direction for a potentially tense political situation that seemed inevitable and to continue to examine the place of action against the HCBP in a wider resistance movement.
That’s from “Protect Mother Earth, Don’t Settle For Less” by Adam Lewis, a new article posted at The Dominion presenting a first hand look at the occupation of the proposed area for the Hanlon Creek Business Park on the outskirts of Guelph, written by one of the participants. I’ve been meaning to post an follow-up to my previous post about this for a while now, and this piece gives me a good reason to.
After nearly a month, the City of Guelph announced that developments in the area will be put on hold for a year. But even in doing so they continued their slander campaign against the occupiers, claiming that they ‘held the city hostage’. This pushed even the local daily, the Guelph Mercury, to call the city on their scare tactics. The city is also pursuing the land defenders for $150,000 in damages, down from an original $5 million when the papers were first served in July; city lawyers say the amount could rise again though.
And after hand delivering a letter to the house of one of the developers involved in the project, two members of Friends of Hanlon Creek (it isn’t clear if they participated in the occupation itself) are being accused of intimidation by police; they deny the charges and voluntarily visited the police station, only to be greeted by a locked door and to be told that they would have to come back the next day.
So while the fist part of the battle has been won – postponing the actual development – it seems that the city and police are bent on vilifying this group of non-violent activists looking to protect important and increasingly rare greenspace and habitats in Southern Ontario. You can continue to follow the situation – and what they describe as the growing anti-development sentiment in Guelph in general – on their blog at http://hcbpoccupation.wordpress.com/.
If you have time, I’ve pasted the rest after the jump… definitely worth the read!
UPDATE: The more I find out about this band the more I like. From their bio:
Enfants du métissage des cultures et du brassage des ethnies, « L’Homme parle » est le symbole d’une jeunesse unie contre les offensives capitalistes et contre toutes les formes d’oppression et de discrimination. Tout le monde est appelé à agir et à parler pour changer les choses au quotidien et aspirer à plus d’humanité. Le poing en l’air et le mic à la main, « L’Homme parle » des combats à mener et des causes perdues, des paradis artificiels et des pièges du monde moderne, des moments de bonheur et de l’amertume de la vie… et de l’amour qu’on néglige trop souvent.